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An international conference “Problems of Polyphony in Sacred and Secular Music” was organized at the Tbilisi State Conservatory by the Tbilisi State Conservatory with the help of the foundation “Open Society – Georgia.” Papers were published in the language in which they were delivered, with abstracts in the English (or Georgian) language (Tsurtsumia, 2001). Here is the list of scholars and the papers according to the published collection (most of the participants were from Georgia unless stated otherwise): 

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The series of conferences on traditional polyphony came back after ten years of silence in Georgia. The conference was organized by the Tbilisi State Conservatory (rector Manana Doijashvili and vice-rector Rusudan Tsurtsumia) and was held from October 15-22, 1998. Papers were fully published in the language they were presented in, although extended abstracts in alternative languages (English or Georgian) were also published (see Tsurtsumia, 2000). Most of the participants were from Georgia (unless indicated otherwise). Here is the list of scholars and their papers according to the collection of published papers:

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Polifonies Vivantes, under the patronage of the French Ministry of Culture and the National Centre for Scientific Research, and with the help of the Royaumont Foundation, organized a meeting of the working group of experts in traditional polyphony of different cultures in Royaumont Abbey, from March 1-4, 1994. Participants also attended performance-demonstrations of African polyrhythmic, Corsican polyphony, and Georgian polyphony. No materials of this meeting were published. According to the conference program, the following papers were delivered:

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Polifonies Vivantes (the first international scholarly body, focusing on the study of traditional polyphony, director – Simha Arom), under the patronage of the French Ministry of Culture and the National Centre for Scientific Research, and with the help of the Royaumont Foundation, organized a conference “Russian Traditional Polyphony” in Royaumont Abbey, from May 30th – June 2nd. All these papers were fully published as a separate collection of the articles Les polyphonies populaire russes (1993). Here is the list of participating scholars and their papers:
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The third international conference with the title ”Problems of folk polyphony” (and the last one to be held in Borjomi), took place on October 15-22. It was a joint venture of the Tbilisi State Conservatory, Tbilisi State University, the Union of Composers of Georgia, and the Georgian Choreographic Society. The next, the fourth conference was planned for 1991, invitations were sent (even the abstract of Dieter Christensen was received), but the worsening political and economical situation, then the civil war of 1991-1992, and the wars in Ossetia and Abkhazia made any follow-up conference impossible for a decade. Extended abstracts of the 1988 conference papers were published (Jordania, 1988c). Here is the list of the scholars and their papers according to the conference program:

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The second international conference with the title “Problems of folk polyphony” was held in the resort complex “House of Recreation and Creativity of Composers” in Borjomi, from 10th to 15th November. Scholarly sessions were held in the mornings and afternoons. Concerts of Georgian traditional polyphonic songs were presented by two ensembles from different regions of Georgia every evening. Extended abstracts were published (Jordania, 1986). Here is the list of the scholars and their papers according to the conference program and published extended abstracts:

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The 1984 conference “Problems of Folk Polyphony” at Tbilisi State Conservatory was the first of the series of biannual conferences on traditional polyphony. The conference was held in the Small Concert Hall of the Conservatory from 11th October to 14th October. Participants attended the scholarly sessions in the morning and afternoon, and attended concerts of Georgian traditional polyphony, specially organized for participants of the conference. Scholars from different republics of the USSR (currently many of them are independent states) delivered papers at the conference. Short versions of the papers were published as a separate collection in 1985 (Jordania, 1985), and several papers were added. Papers that were added later (and were not delivered at the 1984 conference) are marked with *.

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“Drone in European Folk Music” was the title of the international conference that was held in Saint-Polten, Austria, on May 28 – June 2, 1973. According to the conference program, 16 papers were delivered, and ten of them (one new among them, on drone polyphony in Iceland) were published as a separate collection in 1981 in German (see Deutsch, 1981). In this list the papers that were not published are marked with *:

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The 5th National Seminar of the Musicologists and Folklorists of the USSR was held in Georgia on 27th May – 7th June. The title of the seminar was “Polyphony in Folk Musical Art.” The seminar was organized as a joint venture of the Folklore Commission of the Union of Composers of the Soviet Union (chair – Eduard Alexeev) together with the Union of Composers of Georgia and the Musical-Choreographic Committee of Georgia. Scholarly sessions were organized in different cities of western Georgia. Seminar participants had meetings with numerous local ensembles (according to the official letter, 32 local ensembles), and over 200 songs were performed and recorded by the participants during these performances. Some scholars attended the seminar without the formal paper. Unfortunateley, no papers or abstracts were published. The list of scholars and their papers is as follows:

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The University of Ghana in Legon, together with the Ministry of Education and Culture, hosted the Eighteenth International Conference of the International Folk Music Council. The conference was held from July 27th to August 3rd, 1966. The conference was not dedicated to the problems of traditional polyphony only. It had two main themes: (1) “The migration of folk music and its effect on musical style and context”, and (2) “Multi-part techniques in folk music and dance”. The subject of our interest is the second theme, mostly dedicated to polyphony in traditional music. Full papers, delivered at the conference, were published in the Journal of the International Folk Music Council. Vol. 19 (1967), together with the concluding remarks by K. P. Wachsmann on the sessions on multi-part techniques. This is the list of scholars and their papers that were published in 1967:

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