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WOMEN’S ROLE IN UNESCO-RECOGNIZED EUROPEAN TRADITIONAL SINGING PRACTICES



This bilingual collection was created by the UNESCO Participation Program within the framework of a project implemented by the International Research Center for Traditional Polyphony at the Tbilisi State Conservatoire.
The idea belongs to Teona Lomsadze, who studies the topic of traditional music revival in modern Georgian society. According to her, the intention of this project is to consider singing practices recognized by UNESCO across Europe, and use them as examples to show what role they played in the modern processes of women’s liberation. Practices wherein the repertoire of women occupies an important place – Bulgarian, Estonian, Lithuanian, Portuguese and Georgian – were selected. The collection includes articles by 13 women authors.

The collection was published within the framework of the UNESCO “Participation Programme”
(2020-2021). The project is co-financed by V. Sarajishvili Tbilisi State Conservatoire.

Project Manager and Compiler: Teona Lomsadze
Project Coordinator: Nino Razmadze
Editor: Rusudan Tsurtsumia
Working on proofreading English texts: Lauren Ninoshvili, Brian Fairley

Translated by Marina Decristoforo, Marika Nadareishvili, Baia Zhuzhunadze, Nana
Mzhavanadze
Designer: Sandro Chkhaidze
Sound Engineer: George Jolbordi

The publication was non-profit and it is available in electronic form.

Appendix and Audio material is available here.

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