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The two-year project “The Network of European Bagpipers” is implemented by the Erasmus+ program and unites the representatives of 6 countries. The aim of the project is to safeguard and to promote specific part of ICH (bagpipes playing and making tradition).

In the framework of the project, on October 5-10, deputy director of the Research Center for Polyphony, Nino Razmaze, and bagpiper players: Murad Tavartkiladze and Tornike Skhiereli visited Croatia. They got acquainted with the technology of making Croatian bagpipes and the traditions of its performance.

 

Project partners are:

• Suiti Cultural Heritage Foundation (Latvia) – Coordinating partner;

• Centre of Croatian traditional instruments (Croatia);

• Associazione culturale Multietnica (Italy);

• Asociación Gaiteros de Graus (Spain);

• Cech slovenskych gajdosov (Slovakia);

• Sarajishvili Tbilisi State Conservatoire (Georgia)

 

See the booklet



On September 26-30, 2022 Tbilisi State Conservatoire and the Folklore State Center of Georgia hosted the 11th   International Symposium on Traditional Polyphony at Tbilisi State Conservatoire.  The symposium was held under the patronage of the President of Georgia Salome Zurabishvili and with the support of the Ministry of Culture, Sports and Youth of Georgia.

It has already been 20 years since the first symposium was held at Tbilisi State Conservatoire; and the international conferences that started in the 1980s have continued to exist under the name of International Symposium on Traditional Polyphony since 2002. Over the past years, more than 450 scholars from 38 countries, and about 250 folk ensembles have participated in the symposium.

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From September 26 to September 30, 2022 the Tbilisi State Conservatory and the Georgian State Folklore Center will be holding the 11th Symposium on Traditional Polyphony. The symposium will take place at the Tbilisi State Conservatory, under the patronage of the President of Georgia Salome Zurabishvili and the Ministry of Culture, Sports and Youth.

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This bilingual collection was created by the UNESCO Participation Program within the framework of a project implemented by the International Research Center for Traditional Polyphony at the Tbilisi State Conservatoire.
The idea belongs to Teona Lomsadze, who studies the topic of traditional music revival in modern Georgian society. According to her, the intention of this project is to consider singing practices recognized by UNESCO across Europe, and use them as examples to show what role they played in the modern processes of women’s liberation. Practices wherein the repertoire of women occupies an important place – Bulgarian, Estonian, Lithuanian, Portuguese and Georgian – were selected. The collection includes articles by 13 women authors.

The collection was published within the framework of the UNESCO “Participation Programme”
(2020-2021). The project is co-financed by V. Sarajishvili Tbilisi State Conservatoire.

Project Manager and Compiler: Teona Lomsadze
Project Coordinator: Nino Razmadze
Editor: Rusudan Tsurtsumia
Working on proofreading English texts: Lauren Ninoshvili, Brian Fairley

Translated by Marina Decristoforo, Marika Nadareishvili, Baia Zhuzhunadze, Nana
Mzhavanadze
Designer: Sandro Chkhaidze
Sound Engineer: George Jolbordi

The publication was non-profit and it is available in electronic form.

Appendix and Audio material is available here.



THE 11th INTERNATIONAL SYMPOSIUM

ON TRADITIONAL POLYPHONY

26– 30 September, 2022, Tbilisi, Georgia

International Research Center for Traditional Polyphony of Vano Sarajishvili Tbilisi State Conservatoire and the International Centre for Georgian Folk Song are pleased to announce that the scholars working on the problems of polyphony are invited to participate in the 11th International Symposium on Traditional Polyphony, on 26–30 September, 2022, in Tbilisi, Georgia.

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ქართული საეკლესიო მუს. ისტორია-გარეკანი (3)

Magda Sukhiashvili’s book “History of Georgian Church Music. Lectures” covers the issues of history and theory of Georgian art of chanting. Since neither a textbook nor a course on the history of Georgian church music has yet been published, the book is the first attempt to provide students with educational resources. It reflects almost two decades of pedagogical experience of the author.

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We are pleased to announce that the project “Research in Ethnomusicology: Thirty-Three Themes and Concepts” (author Bruno Nettl, Georgian translation) prepared by the International Research Center for Traditional Polyphony of Tbilisi State Conservatoire  received highest estimate and became the owner of the state scientific publishing grant of  Shota Rustaveli National Scientific Foundation of Georgia.

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The publication continues the “Teach Yourself Georgian Folk Songs” publication series by the
Georgian Chant Foundation and this time it features the study of Acharan folk songs. This is a score
collection for study purposes accompanied with audio CDs. The publication is intended for professional
as well as amateur musicians. These songs are performed by the Moqvare and Elesa ensembles from
the Keda municipality.

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