1. Jiin Fure Yu, Taiwan. “Polyphonic improvisation and Social restriction of the Seqez group in Atayal”.
2. Chun-Yen Sun, Taiwan. “Exploration of polyphonic technique and aesthetics of Malan Amis through the singing of Ying-Nan Kuo”.
3. Ming-Jay Zhou, Taiwan. “The operation and specialties in Paiwan polyphony.”
4. Run-Shum Wu, Taiwan. “The oral tradition and practice in polyphonic singing: polyphonic form, sonic facts and Divers Variation from Bunun’s Pasi but but”.
5. Xiu Zhao Yang, China. “A description and discussion of Tong’s multi-voice folk songs in Guan Xi Province”.
6. Xiu-Zhao Yang, China. “The tradition and insistence of multi-voice folk-song in Tong, Guan Xi”.
7. Tran Quang Hai, France. “Polyphony in overtone singing in Central Asia: The case of Mongolia and Tuva”.
8. Xin-Rung Chang, China. “Eight-voice polyphony of Hani, Unan”.
9. Jian-Zhong Qiao, China. “Field-work report of Miaw’s polyphonic singing, Gui-Zhou (1999)”.
10. To Ngoc Thanh, Vietnam. “The heterophonic singing of some Vietnamese Minorities”.
11. Philip Haruitara, Solomon Islands. “Polyphonic jodel and pipe flutes of ‘Are’are’, Solomon Islands”.
12. Felicidad A. Prudente, Philippines. “Weaving voices of the Highland Peoples of Northern Philippines”.
13. Anne-Florence Borfeuf, France. “The a Tenore polyphonic singing of Sardinia”.